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Mira Schor
Mira Schor (b. in New York City in 1950) is an American artist, writer, editor, and educator, known for her contributions to the critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.
==Early life and education==
Mira Schor's parents Ilya and Resia Schor were Polish-born artists who came to the US in 1941. (In 2003, Schor produced a video documentary on her parents’ work, ''The Tale of the Goldsmith’s Floor'', originally created for the 2003 Brown University and ''differences'' conference, “The Lure of the Detail,”〔“The Tale of The Goldsmith’s Floor,” an illustrated video script, appears in ''differences'', Vol. 14, Number 3, Fall 2003〕). Mira Schor and her older sister Naomi Schor (1943–2001), a noted scholar of French Literature and Feminist theory, were both educated at the Lycée Français de New York. After receiving her Baccalauréat in 1967, Mira Schor studied art history at New York University (WSC B.A. 1970). During this time she worked as an assistant to Red Grooms and Mimi Gross. She received a Master of Fine Arts degree in Painting from California Institute of the Arts (CalArts) in 1973. There she was a participant in the CalArts Feminist Art Program’s renowned project Womanhouse (1972). In the Feminist Art Program she studied with Miriam Shapiro and Judy Chicago. Later at CalArts she studied with Los Angeles-born sculptor Stephan Von Huene.
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